“Here’s one I don’t say to many directors: you certainly have a gift for making interesting shots. That’s what struck me watching without concern for the story. The film is inventive and assured - never a foot placed wrong visually. I was also struck by your casting and direction of the non-pros. That is very [...] [...more]
“Here’s one I don’t say to many directors: you certainly have a gift for making interesting shots. That’s what struck me watching without concern for the story. The film is inventive and assured - never a foot placed wrong visually. I was also struck by your casting and direction of the non-pros. That is very hard to pull off. You’ve set yourself a difficult task: finding the images to convey an inward vision that includes the world in its own unique perspective. Mental images. I just caught up with Francis Coppola’s ‘Youth Without Youth’, based on a Mircea Eliade story that shares some of those qualities with
A Woman Called Job‘. Of course Coppola is already an Old Master, but you and he are both making a new kind of film. ” Bill Krohn has been the Los Angeles correspondent of Cahiers du Cinema since 1978, and the film reviewer for The Economist since 2004. He co-wrote, -directed, -produced It’s All True: Based on an Unfinished Film by Orson Welles. He wrote Hitchcock at Work, Luis Bunuel: Chimera, as well as monographs on Alfred Hitchcock and Stanley Kubrick, and edited Joe Dante and the Gremlins of Hollywood. Phrases, his translation of five Godard “cinepoems,” will be published in 2009 by Beyond Baroque, Los Angeles. WEB LINK to his review of Full Metal Jacket.
“The search for the loved one somewhat parallels “A Very Long Engagement” by Jeunet but
A Woman Called Job is much better. I loved the temporal mix we witness in the mind of the protagonist. The end is very moving. All together, all my congratulations, Kurt, for this beautiful film.” Jean-Pierre Geuens, Ph.D. USC; UCLA; [...] [...more]
“The search for the loved one somewhat parallels “A Very Long Engagement” by Jeunet but
A Woman Called Job is much better. I loved the temporal mix we witness in the mind of the protagonist. The end is very moving. All together, all my congratulations, Kurt, for this beautiful film.” Jean-Pierre Geuens, Ph.D. USC; UCLA; IDHEC, France; Brussels University. Professor of cinema at the Art Center College of Design and Los Angeles City College; adjunct assistant professor of cinema, USC. Publications: Film Production Theory; essays in Film Quarterly, Quarterly Review of Film and Video, Film Criticism, Spectator, LAICA Journal. Jean-Pierre Geuens is the author of Film Production Theory. LINK to Jean-Pierre Geuens Website.
Check out the following link to a full page article in Forbes about director Kurt Burk and his relationship with W. Watts Biggers, creator of the 1960’s cartoon series Underdog and author of “A Woman Called Job” and the upcoming project The Man Inside, both projects at One Brick Films. After 40 years, W. Watts Biggers [...] [...more]
Check out the following link to a full page article in Forbes about director Kurt Burk and his relationship with W. Watts Biggers, creator of the 1960’s cartoon series Underdog and author of “A Woman Called Job” and the upcoming project The Man Inside, both projects at One Brick Films. After 40 years, W. Watts Biggers finally sees his stories turned into feature films.
Adam Garcia, star of “A Woman Called Job” stars in episode 19 of season 6 premiering on television the week of May 10, 2010. He portrays the lead guest role of Theodore Taylor who is the featured patient that Dr. Gregory House must cure.
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Adam Garcia, star of “A Woman Called Job” stars in episode 19 of season 6 premiering on television the week of May 10, 2010. He portrays the lead guest role of Theodore Taylor who is the featured patient that Dr. Gregory House must cure.
